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Where Do You Go, When You're Not Here (excerpt)
by Michael Battaglia

I'll remember the taste of this day, the sour residue of something being severed combined with the sweet pretext of promise, that a grand plan was about to be enacted. It lingers still, even in those moments when I think it's gone. There's flavors to your life, to everything and when the senses are attuned you don't need a calendar. You don't even need a watch. There's no stages to my life, but I know each phase. I know what loss can taste like, in a thousand different permutations. But that doesn't make me special. I just know how to put a name to it, even if I can't find the letters to make it real. I want you to know, that I grasped for something that just wasn't there. That doesn't make it wrong, or the failure any less right.

I've got shame sewn into my mouth. One day I'll tell you about it perhaps, when you can't remember and I need to get rid of the memory and pass it on.

I descend and see the sidewalk first. There's no direction anymore but I know everything about this, from the slant of the stunted shadows to the way the air sizzles in a search for some kind of release. I could be trapped in my own memory, so vivid is the day. But I'm not. I'm here in time and the angles are all wrong. I've fallen and I've landed on the ceiling. On my back. Oh, there's my stairs. My house. The windows are all dark now, the curtains wide open but there's no light inside. It's all gone. All personality is stripped from it, if anyone ever lived here the only way you could know would be from rumor and anecdote, the faulty recollections who would be hard pressed to tell you what my hair color was, two hours after they last saw me. But I don't blame them. They don't realize how sharp it is, to let the memories go. We've become numb and all the cuts will bleed us dry and we just won't care. Holding on is worse, if you don't handle them gently then all you've got is pain. But what choice is there, in the end? I don't know. I'm on my knees, in this ghostplace. My body, I'm just so tired. It's not even here and I'm just so sick of it.

I'm in front of my house. I'm watching myself in front of my house. I'm pacing there, I think I was standing on the front steps and watching the door. I was, I remember. I came out then and stood in front of the place for a while, trying to memorize every detail, knowing that it wouldn't be the same the next time I saw it. They painted it, the bastards, in some goddamn awful ugly color. I never would have done that, had I stayed. But I didn't and it was theirs to mess up as they wished. When do the houses change, you go a hundred years back and it's all different, more trees and empty spaces and a road made of dirt and who changes it, when nobody's looking. Not just in one night but that's how it seems. It's not.

I'm walking, I haven't stopped walking. When sharks stop moving they die and I'm afraid that the beating of my heart is defined by motion, that my parents just sat down one day and said this is it, I'm tired, I'm going to sit right here and rest for a minute. And they stopped and they never got up again. And I wanted to wait with them but they said, go on boy, we'll catch up. It never happens. And I couldn't go back. And I'm walking around the remains of my life and there's just me. I've surgically removed everything, I've spent the week excising it all, slicing it away until I'm only left with the meat and the bone. Everything else is fat, it all has to be left behind, to rot in the sun.

Down the road, somewhere far from me, maybe across the street I hear a voice call out, "Wait." I don't hear it. I didn't hear it then, honestly. I hear it now and it makes sense. But I don't notice and I'm walking away, I'm going around to the side of my house now. My room was in the front, I'm staring at the window and it's just all dark now. I turned off the lights, I disconnected everything. All the tubes removed, I've withdrawn the life support. I didn't tell anyone, because I thought it was best for all of you to think it was natural. That it was meant to be this way. Let the body wither and fade and if you do it slowly enough nobody will miss it. Death is the sudden cessation, even if it takes eighty years, it's the abrupt stop that slays us, that punches us in the gut every time. I wanted to drift out to sea, the absurd balloon that you see floating away, standing on the shore, with mist stinging my eyes, watching the damn thing float out and I was just waving at it, waving and waving as it went further out. It was red and I watched it until the air or the mists or the horizon swallowed it up, until my eyes were too weak to see it anymore. Until one moment it was there, impossibly small and the next minute it was gone. I want to be like that, when I go. You'll just think I went somewhere else and that I'm still travelling, wherever I am, in places that your eyes won't be able to fathom, you'll think of me in zones that are just around the corner and too far away to touch and be content with that.

I'm going around to the back of my house. "Wait," they're telling me but I don't stop. I can't stop. I'm following myself, tracing out the last steps. Going around. The garage, squat and secure. The railings on top of the flat roof, the door from my parents' room that I was never allowed to use. I never did go through, I was afraid. But they were gone and couldn't stop me but I didn't think it was right. They said it wasn't safe. I didn't go up. The view was too broad, all the houses at the wrong angle. Too high up. And I might have thrown myself off, just to see how it felt to hit something unyielding.

"Wait," it says.

Along the side paths, I'm going into my backyard. It opens like a vista before me, and I know how they felt, the old pioneers topping the rise, seeing the land before them for the first time and realizing they were entering virgin landscape, never touched by eyes. I walk into it and sunlight envelopes me, escaping from the shadow of the house, I'm drenched in it. There used to be so many trees back here, it was like entering a forest, all dappled shadows and if you turned around and ignored the house and forgot about the fences I could imagine I was taken somewhere before man. Before man and after man. Walking for miles and miles in endless wilderness, never seeing a single person. Everything pristine. It scared me, in a way, to think that things were so empty and spaced out. My father cut the trees down, one by one and the backyard opened up and it was never the same. It became a different place. We took down three at once and made a wood pile in a corner of the yard, near the house. I used to walk on it, just to feel the logs shift. They told me not to and I did anyway. I don't know what was wrong with me. I'm putting it all to rest, turning out the lights on every memory I ever had. I'm walking out deep into the yard, over grass I haven't cut yet, that I'll never get to. "Wait," it says, it tells me. Somewhere behind. I remember a flood, when it rained, and how the place turned into a lake. Light shimmering off dank waters, watching it recede every day, a different kind of dying, going back in layers. Antediluvian, nuggets lodged in the mind, touching centers you can't explain.

"Wait," someone says. And I can't. I remember too much, you know. I can be accused of that. I remember this, I can tell you this. Are you listening? Because I'm not. They say it and they'll say it again. I'm looking at myself and I know I haven't slept since the night before. I went for a walk around my town, that last night. I wanted to erase everything, fold it up and box it away. I traced all the paths I could name, following a rigid line, going all the ways that I was taught and remembering mornings strung like dewdrops. Going by houses and trying to recall who lived there. It stops you, walking on shrouded ways, on the sidewalks that had seen winter and spring and autumn and summer with me. Walking through snow covered desolation and hearing nothing, not a car or a person or a siren or anything that might suggest anyone was alive but me. I walked past the house of the first girl I ever had a crush on. It wasn't you. Are you surprised? No, I didn't think so. You know who she was, I told you, in those quiet moments when we pretended we didn't tell each other anything. I don't know what happened to her, I never said anything, the one time I ever disobeyed my own rule. Never hide your own feelings. It's a broken road. All through the years I carried it and I never said, because it was the first, because holding inside meant it was in a vacuum, it was sealed and sterile and unchanged. Speaking it outloud would release it and make it real and when anything touches the air it degrades, it fades and rusts and eventually falls apart. I couldn't let that happen. So I never said. So I stood in front of her house and wondered if she ever picked up on it, in those subtle cues that girls always notice. But sometimes when you think you've obvious you really aren't. I'm standing in my backyard and I've knelt down, staring at the ground. There's marks in the soil, holes. We put them there, we scarred the land ourselves. I used to have a swingset, my father jammed it into the dirt and I used to swing on it like a madman, trying to push it higher and higher. The supports used to come out of the ground, the whole thing used to rock crazily until I thought it might just tip over. My mother did the intelligent thing and stopped me, she ran out of the house and made me come inside. I told you that, I'm sure. We laughed about it, how goddamn stupid I was. I loved your laugh, I want you to know. "Wait," you would have said, because you couldn't hear me, because you were trying to catch your breath. "Hold on, wait." It was a girl's laugh but it was high and soft and never sounded less than sincere. But I was saying. The girl, the girl, I was saying. I wonder what happened to her, sometimes. I stood in front of her house, across the street and wondered if she still lived there. If her parents had moved away and taken all reason for her to stay with them. It certainly wasn't me. I was never an anchor, I never meant to be. The balloon in the morning, while the waves flattened the sand, gritty oatmeal. Don't go away. There's holes now, and that's all that's left of us, the only sign that we were ever here. I have to know how the story ends, that's my problem, I can't let the tale dangle. People say, who cares, it isn't your life but that's the point. Don't you see? That's the only reason. I know the story of my life, there's no mystery in it, I've got the direction. "Wait." But no, stop, listen, please, listen. If I had stayed, would I have said? How does it end? I know how you end and I'm the lesser and the greater for it. Because it's been tied up. You're gone and I don't have to wonder anymore. I'm sorry. Dammit. I'm sorry. I want to know, what would I have done. I bet I would have only seen her twice in the days I had, the first time we would have talked and I never would have said anything because I figured it was history and it was old news and and I'd never see her again. And the second time I would have seen her from a distance and never said anything and wish I had because you never know when the last time would be. The wind shivers in the too warm air. There were never any kids on my block, there was a playground down the street and I never went there because it was too close. It was no escape. I would see her from the back, I think, the second time and I would wonder how she had changed. I can't stand a mystery. I think if I had stayed I would have imagined us running into each other and finding that there was some kind of spark there, something that I never saw before, that the years had only deepened. And her curiousity would draw her to me and I would find the nerve, finally. I'll find out she's getting married, down the line, in some year, after a dream that everything is failing, and it'll be gone then. All false hope discarded. You always think, until you have no other choice. I never told you any of this. You would have hit me and told me to stop being stupid and either tell her or forget about it and get on with it. It was a branch never taken and you wonder what if only because we have no other choice. You didn't see time like I did, all the linear ways, wound around each other like flower stems, one crossing into another, what we do affects people we never see. Maybe she'll marry him because he reminds her of me, in ways that she can't explain. Oh, ego. Dear God. It'll ruin me yet, to not say anything. The grass is too high here, in this year. It's soft and too high. And I don't care. And it's not my problem anymore. I'll raise a glass on their wedding day, I'll toast the man for having the balls to do what I could never do. If I was around. If these things are true. But who can say? It's not my problem. It never was.

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