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crystal skull
R.I.P.

by Daniel Olarnick

(Author's Note: This fictionalized story is based on a true event. As you read it, that fact will disturb you. You would be better off believing that it never happened.)

(The names, identities and landmarks have all been changed to protect the innocent, and, of course, the dead.)

*

(Circa September 1965)

The phone rang jolting me out of a deep sleep. I picked up the receiver, knowing instinctively it would be Michael McCarthy, the one-eyed ex-policeman now assigned to the District Attorney's Office as the desk night officer.

"Hey, 'Fingers' you got to go relieve Gillery. His wife is having her labor pains."

"Shit," I mumbled, "I hate backing up that guy. There's always something."

"Well, you got a good one at the 7-0 tonight. Old Homicide. Rocky is on the way. He's picking up ADA Postal and then you."

"Thanks, Mike. I'll be ready."

I climbed out of bed, stretched my body, and headed towards the bathroom, started the shower and climbed in. Never could start a day's (or night's) work without a shower and shave, even at 2:30 a.m. The shower worked its magic waking up both my mind and body. I toweled myself off, shaved, glanced at the clock, and figured I had enough time to make myself a cup of instant coffee, which I did.

I opened up my American Tourister carrying case, checked to make sure that I had two pads of steno paper, closed it up, sipped the coffee, heard the downstairs buzzer ring and shouted into the intercom, without waiting to hear who it was, "Coming down, Rocky. Want a cup of coffee?"

"Nah, Dan. I'll get one at the precinct."

"Be right down."

*

"Hi, Rocky. Hi Paul," I greeted them cheerfully with a wave of my hand, as I opened the rear door of the black '64 Cadillac limousine and seated myself in the back.

Rocky Valone, our driver, had been a highly decorated naval gunner during World War II. However, it was his stateside patronage to the local Democratic club that had gotten him his contract with the D.A.'s Homicide Investigation Squad to transport the assistant district attorneys and their shorthand reporters to the numerous police precincts located in Brooklyn, or to the scenes of homicide investigation. Rocky did his job well and liked what he was doing. His limousine was well cared for both inside and out, making it a pleasure to ride in, unlike a few of the other limousine drivers, who didn't give a damn about their job, their appearance, or the condition of their limousines.

Rocky knew every shortcut in Brooklyn to get to wherever it was that our homicide team needed to go to, to take our statements, and then to get us home safe and sound and as quickly as possible.

Assistant District Attorney Paul Postal was a man in is early 60s, a thorough investigator. He took a concise statement from the various perpetrators and witnesses, guiding them with leading questions that got to the heart of the matter. I had been on over 25 homicide investigations with him. We made a good team.

Rocky fastened the red flashing dome-light to the top of the Caddy. He turned on the radio to his favorite Italian station. Frank Sinatra's voice filled the car with its soft, sweet and easy music as we sped away from my apartment building on 17th Street and Cortelyou Road to the 70th Precinct.

"It's going to be an interesting night, kid," said Paul. "You know the routine. I'll advise him of his rights, sit back and let him talk. It's an old homicide. The detectives in the precinct think they've got the suspect dead-to-rights."

"Who's the detective?" I asked,

"Randazo," said the ADA.

I smiled, knowing it was going to be a long night. Detective Randazo was an old-time detective with a reputation for getting a confession out of a perpetrator that usually held up when brought to trial. He was an intimidating presence, tall, dark-haired, V-shaped and angry. Once he got a lead, he never let up until he was able to close his case.

"He's worked on this case for close to a year. Remember the girl we found in Brighton Beach, Victoria Masters?" ask ADA Postal.

"How can I forget?" I answered, a shudder running through my body, as I recalled the once very attractive blonde high-school graduate who had been skinned alive.

"Well, Randazo thinks he's got the killer dead to rights. Caught him at the home of the parents."

*

John O'Connor's life was about to change forever.

He pulled his car over to a darkened side street, just outside of the Gravesend Neck Road Cemetery. He had drank a few too many beers and needed to relieve himself urgently.

He steered his '60 black Oldsmobile over to the iron fencing, which separated the graveyard from the street, got out, leaving the door open to block his body from any oncoming traffic that might be coming down the street at 1:00 in the morning. He glanced around, nervously -- having once been ticketed and fined for public urination before -- but "Nature" was calling and he had no choice.

John was thankful that it was late in the evening; that there were no pedestrians walking along the cemetery path, or cars coming from either direction, as he felt partially ashamed and strangely frustrated to be forced to urinate on holy ground.

It seemed to take him forever to finish. "I've got to remember to go to the 'head' before I leave O'Heally's next time," he swore to himself under his breath. His urine stream seemed to be endless.

"Can you help me, please," said a female voice that appeared to come out of the darkness.

John O'Connor felt the hairs on the back of his neck stand up and a flush of embarrassment course throughout his body.

*

It was about 4:15 a.m. when Rocky pulled up to the 70th Precinct. Paul Postal and I got out of the car in unison, walked up the stairs to the station house, and nodded to the desk officer.

"Randazo's upstairs," said the sergeant at the desk, waving us in.

We climbed the up the stairs to the detective's office. The stench of the locked up prisoners filled the air with their scent. It was not a pleasant place to be and the smells of the lockup matched the foreboding dark and dank structure.

*

I snapped the locks open on my carrying case, lifted out the tripod, popped its legs open with a bit of a flourish, as I twirled it around and placed it on the ground. Then I lifted my Stenographic writer out, attached it to the tripod, tore open a pack of stenographic paper, tested the machine and waited for Paul Postal to give me the nod to start the statement.

*

Detective Randazo finished speaking to the ADA and left the room to get the perpetrator.

"As soon as he comes in, we'll get the pedigree and start the statement. Ready, Dan?"

"Always ready," I smiled. I loved this job, loved being a shorthand reporter, and was proud of my verbatim high-speed shorthand skills.

*

John O'Connor entered the room. I looked up and noted that he had some bruises on his face. I knew Randazo was not beyond extracting a confession from a reluctant suspect, but he was usually far more careful than bruising a man's face. I shook my head but understood how the system worked and resigned myself to the fact that the suspect probably deserved a bit of a beating. The homicide had been horrific.

"I'm Assistant District Attorney Paul Postal. We're here to investigate a homicide that occurred on June 20, 1964. This man will be writing down whatever you have to say. You have the right to remain silent. Anything you say may be used against you." ADA Postal read the defendant his Miranda rights. John O'Connor kept mumbling "yes" after each sentence.

"So, John, tell me what happened on June 20th."

"I don't know what you guys are talking about. How the hell am I supposed to remember what happened on June 20th of '64?"

"All right, John," said ADA Postal, "why don't you tell me what happened tonight. What led to your arrest?"

*

"Can you help me, please," said the blonde girl who seemed to have appeared out of nowhere. She was standing at the front of the Olds, as John O'Connor zipped up his fly, thankful for the fact that the street was dark. He was sure she knew what he was doing, but she remained standing at the front of the car, her body outlined by the Oldsmobile's headlights.

"I'm sorry," he mumbled, embarrassed by his position.
"What are you doing out here," he asked.

"I'm lost." She said.

She was dressed in a white evening gown. It was obvious she had been crying. He had imagined that she had been making-out with her boyfriend, on one of those dead-end streets that surrounded the cemetery, and that "things" had gotten out-of-hand. That was the image that suddenly came to his mind. He didn't know why that thought had flashed into his mind.
"Can you take me home," she asked. Her eyes were puffy and wet.

John O'Connor looked around, half suspecting someone would come up behind him or come looking for the girl, apologizing for his actions. But there was nobody around.

"Sure," he said, as he walked to the front of the car and escorted her to the passenger's side of the car. He reached forward to take her hand and found it cold to the touch. "It's a bitter night, for October, isn't it?" he asked, as he opened up the front door.

She shuddered. A chill, obviously, raced through her body. She got into the car. John caught a glimpse of her long legs, as she pulled up her skirt slightly, to slide into the car. "Thank you," she said. Her voice had a slight tremble to it.

John went around to the driver's side, walking behind the back of his car, quickly checking his fly to make sure he was fully zipped up. He climbed into the car, looked at her profile, and smiled at his luck. She was a real beauty.

"Hi. I'm John, John O'Connor," he said, remembering that he had not introduced himself when he had first seen her.

"Victoria Masters," she said, her smile was inviting. "You're not going to be bad, are you," she asked, "I've had enough of that for tonight." She sniffled a bit.

"No, no problem with me. You all right?" he asked.

"My date - he got a bit rough with me. I had to leave," she said.

"Sorry," replied John, not knowing what else to say. God was she attractive.

"We were making out and -" her voice trailed off.

"No problem," said John. "Where do you want me to take you?"

"Could we wait here for awhile? I need to warm up. I have this chill -"

"Sure," he said, as he reached forward to switch on the heater. "There. It'll heat up in a few minutes."

"Thanks," she said and smiled at him. She opened up her bag, took out an embroidered handkerchief and dabbed her eyes with it.

John liked her, liked her a lot, even though he had only met her a few minutes ago. She was exceptionally pretty, he thought. "God, what a great body she's got," he thought to himself. "I wouldn't mind…"

"I had a fight with my boyfriend last week," she said, "so I went to my graduation by myself. Then one of the teachers offered to give me a ride home. He got very fresh … you know."

"Jesus," he said, "some guys,"

"My mom said this dress was too revealing for a girl built like me. I should have listened, I guess."

John looked at her, somehow, for the first time, he noticed her cleavage, and the fullness of her body, how clinging her dress was.

"You're very pretty. Doesn't give a guy the right to - you know."

"Thank you. Thank you for being so very understanding," she said, and reached over and touched his face. Her touch was very, very cold. John jumped back at the coldness of her touch.

"Sorry," she said. "I've got this awful chill."

John reached forward and turned up the heater to high. "There, that will help."

"Could you give me your jacket," she asked, "just to take the chill away."

"Sure, no problem -"

"-Victoria. You can call me Vickie," she added.

He took his leather jacket off, handed it to her, watched her wrap it around herself.

"Is that better," he asked.

"Still got this chill," she said. "Could you hold me around - but no funny business," she said. Her voice was sweet and sincere.

John slid over to her side, placing his arm around her shoulders, hugging her, trying not to get aroused, but found himself fighting a losing battle.

She reached over, turned the radio on, "This is the Big Bopper down at Plumb Beach," said the radio deejay, "and this is Johnny Mathis, for all you young lovers. And this is Misty."

The song began to reverberate through the car:
"Look at me. I'm as helpless as a kitten up a tree.
"And I feel like I'm clinging to a cloud
"I can't understand
"I get misty just holding your hand
"Walk my way, and a thousand violins being to play
"Or it might be the sound of your hello
"That music I hear
"I get misty the moment you're near."

John O'Connor could not believe his good fortune, "Vickie," he whispered over and over.

Her lips were cold, as was her touch, but he had more than enough heat for both of them.

She kissed him deeply. His hands fondled her body. Soft moans escaped from her as her bosom heaved up and down with passion and excitement.

"No, no," she said, "You have to stop," passion filled her voice.

"Please," he said, moaning a bit, grabbing her hand, and edging it towards his lap.

"Be good," she pleaded. "Wait," she said. She arched her body under his jacket, making a suggestive movement. She reached down, opened up her purse, and extracted her handkerchief once again. Her hand moved up and down, engulfing him, relieving and exhausting him at the same time.

"Good God," he gasped.

"Just hold me," she said, her breathing heavy. Sweat was pouring out from his body because of the heat in the car, and still she felt cold to his touch.

"You'll take me home now? Please." She seemed to whine, her voice filling with sobs.

"Sure, sure. Take it easy. No problem."

"You're satisfied now, aren't you? Please don't tell anybody. I'm a good girl."

"Hey, don't worry. I'm cool," said John, exhausted and exhilarated.

*

"So, John, then what happened?" questioned ADA Postal?

"I drove her home, to Marine Parkway and Hamilton Road. She asked me to leave her on the corner. I did. I asked her for her phone number. She said, no. I asked if I could see her again. She said, maybe. She got out of the car. I watched her walk up the block and enter the house. I started to leave, and noticed her handbag. I drove up to the front of the house, got out, rang the bell. I knew it was late, but I had her bag.

"And then what happened?"

"A man came to the door. He asked me what I wanted. I told him that I had his daughter's bag - I figured it was his daughter - and he fucking attacked me - screaming and yelling. Calling me a murderer."

"I show you this bag. I'll ask the reporter to mark it as People's Exhibit 1." Paul Postal handed me the bag, I marked it with my exhibit sticker and handed it to the defendant.

"John, is this the bag that you found in your car?"
"Yeah, that's it."

Paul Postal handed the bag to John O'Connor. "John, we have a problem here. This bag has been missing since the time of the homicide of Victoria Masters. It has a pair of bloody panties wrapped within a handkerchief in it. How did you come into its possession?"

"I told you. She left it in the car. You ain't saying that I killed this chick, are you?"

"Well, John, as a matter of fact -"

"Fuck you, man. I ain't saying nothing else until I speak to an attorney."

"Like I told you, John, if you want an attorney, one will be supplied to you free of charge."

"Yeah, I want a lawyer. You guys are crazy. I'm telling you, she was in my car tonight. I kissed her. I made out with her. She gave me a hand job -"

"If you come clean, John, and tell us the truth, you'll feel better about yourself. Now where were you last year-"

"I was in fucking Vietnam!" John O'Connor screamed.

"Close the statement," said ADA Postal.

*

Rocky drove us down to Junior's restaurant later that day for an early breakfast. We filled Rocky in on what had happened.

"So, what do you think, Dan?" ask Paul.

"You've got me. I'm dumbfounded. So, what do you think really happened, Paul?"

Paul Postal shrugged his shoulders and said, "Disembodied soul, perhaps, Dan. Who knows."

*

Epilogue: October 31, 1965, John O'Connor's car was found, parked by the cemetery, abandoned, with its motor running.

His whereabouts are still unknown.

Victoria Master's murder has never been solved.

In the archives of the District Attorney's Office, my original stenographic notes are filed and sealed. Across the seal I wrote the words "Ghost Story." No other explanation is possible.

Do you want my opinion, Dear Reader?

No?

I'll give it to you anyhow: John O'Connor was destined to meet Victoria Masters. Somehow he found a way to join her - forever!

R.I.P. by Dan Mills
Illustration by Dan Mills. Click to enlarge.
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